Flags and other visual elements

Started by Valles, January 26, 2012, 06:40:53 PM

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Valles

Yes, I have been working on this.

Since we're in a lull, I thought I'd show my work, so to speak.

My initial thought had been a tricolor of some sort, but I didn't want to imitate or come too close to a real flag, and the color elements I needed - red, green, and yellow - had already been adopted in both vertical and horizontal layouts. So that was out.

What I eventually settled on for sketching out was...



The idea of this is to symbolize the design of Roanoke - the ring shaped curtain wall and the 'bridges' of the original residential wards.



Filling the lines in so that they crossed and everything was more or less just a noodling, but it didn't go badly. I wanted to see if I could get three colors by sealing the sections off, but that ended up way too radiation sign.



Since the previous versions were too busy, I simplified. Problem is, the shape of the flag makes the vertical element too easy to miss.



This is better, but looks like a stylized sunrise over a mountain peak. That'd be a really neat design for a flag, but not what I was looking for.



This crop circle layout is the first one I really liked.



Somehow, this feels too peace sign.



This, though, holds the possibility of letting me go back to a three-tone color scheme.

Once I'd settled on a fairly rough layout, I started adding color, thus.











There isn't that much to say about these individually, beyond wanting to get input on what people like the most.
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When the mother ship's cannon cracked the signal to return
The clouds were building bastions in the swirling up above
Poseidon the King and the Wind his jester
Dancing with the Lightning Lady Fair
Dancing with the Lightning Lady Fair

Desertfox

I think the one with the red circle is really nice, it stands out which is what flags should do. I would suggest making the red and yellow lines thicker.
"We don't run from the end of the world. We CHARGE!" Schlock

http://www.schlockmercenary.com/d/20090102.html

Carthaginian

OK... metal should not be put on metal, nor colour on colour! ;) I have to go with the first one- the rest of them, well, the farther down you go the more meh they feel to me. Green, red and gold aren't exactly my favorite colors, either.

Interesting thought- can't wait to see where they lead.
So 'ere's to you, Fuzzy-Wuzzy, at your 'ome in old Baghdad;
You're a pore benighted 'eathen but a first-class fightin' man;
We gives you your certificate, an' if you want it signed
We'll come an' 'ave a romp with you whenever you're inclined.

Valles

The six-rayed design, Carth, or the crop circle? I'll admit that the latter is my own favorite so far.







======================================================

When the mother ship's cannon cracked the signal to return
The clouds were building bastions in the swirling up above
Poseidon the King and the Wind his jester
Dancing with the Lightning Lady Fair
Dancing with the Lightning Lady Fair

Carthaginian

The six-rayed design is far preferable to the 'crop circle.'

Also, adding some 'metal' (gold [yellow], silver or copper [dark orange]) to the edges of the red circle would make it contrast better with the green background- just don't put the 'metals' against another 'metal.'. Outlining in black is one of the worst ways to make the objects visible, unless they are much lighter colors on a white background. For a dark color like the forest green, the black just makes the edges look a bit blurry.
So 'ere's to you, Fuzzy-Wuzzy, at your 'ome in old Baghdad;
You're a pore benighted 'eathen but a first-class fightin' man;
We gives you your certificate, an' if you want it signed
We'll come an' 'ave a romp with you whenever you're inclined.

Valles

I honestly don't care for the six-rayed design at all, personally. It feels lacking - uninteresting and indistinct.

But I've been developing it anyway, along with others.







======================================================

When the mother ship's cannon cracked the signal to return
The clouds were building bastions in the swirling up above
Poseidon the King and the Wind his jester
Dancing with the Lightning Lady Fair
Dancing with the Lightning Lady Fair

Carthaginian

Of these, I have to say I like the second one best.
I might try and make the diagonal 'rays' come form the hoist-side corners, just to make them larger and more prominent... but other than that, it's a very original and interesting design.
So 'ere's to you, Fuzzy-Wuzzy, at your 'ome in old Baghdad;
You're a pore benighted 'eathen but a first-class fightin' man;
We gives you your certificate, an' if you want it signed
We'll come an' 'ave a romp with you whenever you're inclined.

Carthaginian

I'm generally all for simple flags like the ones that you are posting, but for this go-round, I've decided to try something a bit more difficult and complicated. These are some of the more complex ideas I've attempted.

Any opinions?



Personally, I'm partial to F, myself.
So 'ere's to you, Fuzzy-Wuzzy, at your 'ome in old Baghdad;
You're a pore benighted 'eathen but a first-class fightin' man;
We gives you your certificate, an' if you want it signed
We'll come an' 'ave a romp with you whenever you're inclined.

Valles

F works, but my own 'favored' approach would be to take D and then turn either the border or the Maltese crosses orange/copper.

Just for the additional chaos factor of no element getting repeated, so to speak.

Even if you don't do that, I like the 'five crosses' aspect, it seems like a unifying element somehow.
======================================================

When the mother ship's cannon cracked the signal to return
The clouds were building bastions in the swirling up above
Poseidon the King and the Wind his jester
Dancing with the Lightning Lady Fair
Dancing with the Lightning Lady Fair

Carthaginian

#9
Quote from: Valles on January 28, 2012, 03:15:15 PM
Even if you don't do that, I like the 'five crosses' aspect, it seems like a unifying element somehow.

I will admit to cribbing that from the crest of the Kingdom of Jerusalem, a cross potent (or) on a field (argent), surrounded by four Greek crosses (or).
Instead of silver (argent), I chose to use sky blue for the field color in order to avoid breaking the rule of tinctures. I thought it a decent substitute- both in spirit as it would represent the Heavens, and in practicality as it would increase the visibility of the charges.
So 'ere's to you, Fuzzy-Wuzzy, at your 'ome in old Baghdad;
You're a pore benighted 'eathen but a first-class fightin' man;
We gives you your certificate, an' if you want it signed
We'll come an' 'ave a romp with you whenever you're inclined.

Valles

Heh. Well, I won't contest your favorite, then - it's both a workable/distinctive design and one with the medieval flair I think you're going for, so.

And, as can be seen, I've made my own choice.
======================================================

When the mother ship's cannon cracked the signal to return
The clouds were building bastions in the swirling up above
Poseidon the King and the Wind his jester
Dancing with the Lightning Lady Fair
Dancing with the Lightning Lady Fair

Carthaginian

OH, I wasn't discounting your suggestion- and added it to my selection.
I must say, I do like the the effect of the copper color on the large central cross... it's quickly becoming, if not a new favorite, a strong contender. It comes out to be one of the most attractive of the ideas.

So 'ere's to you, Fuzzy-Wuzzy, at your 'ome in old Baghdad;
You're a pore benighted 'eathen but a first-class fightin' man;
We gives you your certificate, an' if you want it signed
We'll come an' 'ave a romp with you whenever you're inclined.

Valles

I think that the choice between H and I depends on whether you want to put the central cross in the 'foreground' or the 'background'... The white makes it pop out in front as a dominating element, but with the orange it seems more subdued. Personally, I favor H, because the white subcrosses on the black background feels a bit too obviously Prussian.
======================================================

When the mother ship's cannon cracked the signal to return
The clouds were building bastions in the swirling up above
Poseidon the King and the Wind his jester
Dancing with the Lightning Lady Fair
Dancing with the Lightning Lady Fair

Carthaginian

The white Maltese Cross on the black field was a reference to the original uniform of the Hospitallers:

I didn't mean it to look that Prussian- though as the Teutonic Knights used the reverse as their coat of arms, it's a strong resemblance.
So 'ere's to you, Fuzzy-Wuzzy, at your 'ome in old Baghdad;
You're a pore benighted 'eathen but a first-class fightin' man;
We gives you your certificate, an' if you want it signed
We'll come an' 'ave a romp with you whenever you're inclined.